As the owner of Grape Street Gardens, I am constantly reminded that
I shouldn't play favorites. And, as the owner, I'm inclined to agree.
Due to the unique design of each artist studio, they are 'all'
incredible. I have spent the majority of the past few years carefully
and lovingly restoring Eugene Bennett's original concept.
I've often wondered why I have hesitated to begin the restoration of
this studio, if, as I claim, this is in fact is my favorite. I had a
good private chuckle recently when it occurred to me that perhaps the
reason I have been so slow in finishing this part of the project, is
because I'd really rather keep it for myself. Unfortunately, unless
someone I don't know dies and generously leaves me a million dollars
or...I win the lottery, which I never play...this will not become reality.
Then I seriously asked myself why Suite N was so special. I have
admittedly spent numerous hours building, painting and restoring
various parts of Grape Street Gardens within the confines of those
four walls. I learned to use a mortar box and then, a chop saw. I
learned how to pull apart a hot water heater and actually fix the
thing. I have rebuilt every original screen door and window the
complex bore and honestly...I believe I found my confidence in that
space. I have successfully completed projects I never would have contemplated eight years ago, and loved every moment of it.
Once the emotional attachment was recognized I began to look at the
physical elements of the studio and understood why I chose to use the
space as my workshop in the first place. My love for the wrap around,
floor to ceiling windows that capture the morning and afternoon light
has enticed my spirit outside even when I wanted to isolate. The
expansive ground floor, living or workspace, was designed for multi-tasking several projects at once. The kitchenette and bath
are seperated and non-visable, much like Suite P, but...not.
Now that awareness has been developed, I'm more willing to complete
this phase of the project and share it's calming effects. I'll continue to post pic's of the process.
The goal is to have the space prepared for public
availability by September 2008, unless of course, I win the lottery :-)

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